





It was 2 1/2" tall. Most standard real tables are about 2 1/2' tall so it is perfect. ( I buy crochet thread in big bags at thrift shops for a dollar or two. Some of the thread is usable for wicker some isn't. Even the stuff that won't work for anything is still useful. The cores are all usable for various sized and scaled tables in mini.) If the core is taller you can measure and cut it down to 2 1/2". I cut the thread off of the core. It was the non usable kind. Then I traced around the end and cut a piece out of plain old cardboard. 

BTW, did I mention that this little Victorian is in San Francisco? It's a foggy morning. The hot breakfast and coffee will be welcome.
I am going to have to make a decision on what era to go with. Probably Victorian. The mid to late Victorian had the widest selection of different shapes being worn at the same time.
Once again I shall have to make a choice of dates. The high button shoes and the mules on top of the lowboy would all fit the Victorian era. They are made from patterns I designed. They are trimmed in silk and lace and have tiny no hole beads down the side for buttons.
This bunch is mine. They are mostly modern in design. This is another argument for two shops, as I see it.

Oh! I forgot.....White glue and scissors. That's basically it.
The weaver that you are going to use next is always the one on the left. It always wraps in front of the spoke that the last weaver just went behind. Then it goes behind the next spoke and out to the front again. You should always have two weaver showing on the outside of the basket when you finish a step.
There are no rules as to how many rows of linen and poster board you can add. Go crazy! Play with it.
.
Do you ever get that feeling after you finish a project and have yet to start another one? That's what I am doing today.This is an afghan that I made from silk sewing thread on a #14 crochet hook. I started with the standard granny afghan pattern and simply worked out from the center. It took me forever to do. Silk is more slippery than the mercerized cotton that I usually use.
This is inside the sewing gift bag that I showed you before. I don't think that I had it in there when I took the other photo.
BTW, the sewing machine in here was pilfered from a Chrysenbon treadle kit. Now I have to figure out what to use the rest for. Don't say table. Everybody uses the legs for tables in real life and I feel sad when I see one. I still have my grandmother's wedding present from 1903. It was a Minnesota brand treadle machine. I learned to sew on it and it still works.
Here's another one that is done in mercerized cotton sewing thread. I buy it by the bag at garage sales. It seems like everyone is into polyester nowadays.
Polyester just doesn't look as good if you try to crochet with it. It is too stiff.
It takes a spool to a spool and a half do one. I use baby afghan patterns that I find on the net. They seem to turn out perfectly for miniatures.
Here you see Tabby again. This was her home before she moved into the Colonial Kitchen. I think that she likes the food better there. Here, all she got was cookies.
The Parson's Table was made from a kit that a friend brought back from NAME National one year. It was made of mat board and mosaic tile patterned paper. Very simple to do but very effective when finished. A black permanent marker finished the edges.
The rug on the floor is one that I have done in three different colorways from an old Dover book. There is another one in Spike's crypt in red and blue. The answer to your next question.....Yes, I really like this pattern. Actually I have made it four times. Once I made it for a mini friend for Christmas.
Are you distracted enough now so that I can slip away unnoticed? I need to wander some more. Maybe I will accidentally stumble over something miniature that suits my fancy.
See you tomorrow.
The Colonial Kitchen is finished. There may be a few additions as I see fit, but for the most part it's done.The baby is down for a nap. All is pretty quiet. She is very happy with the new kitchen. She has the latest in Jim Ison fireplace tools.
I made her a worktable. The same man that made the settee made the writer's chair in the corner.
When she turns around she is going to be sorry that she left the sausage and cheese on the cupboard after fixing herself some lunch. The cat is at it again!
This side is essentially the same as it was yesterday except for Tabby. Did everyone name their cats that until the 20th century?
Here's the whole room. I am very happy to have used most of the Colonial minis that I have saved in a drawer and here and there in boxes over the years.
I do still want to hang some herbs on the fireplace shelf or the pegs on the red shelf. I was going to dry some thyme from the back yard however, I am confined to the house today and tomorrow. The mad painters are at work on the outside of the house. One of my cats is sticking close to me at all times and the other one is cringing under the bed.
Now all I have to do is clean up after myself once again.....How does such a small room make such a big mess?
What's next on the list? Can you wait while I dig around and find the list? No? OK I will see you tomorrow. Maybe by then I will have decided.


I finished the brick today. I learned a couple of things about working with the cork. You can bend it around corners. You can't depend on the adhesive on the back if you do. It doesn't always stick. I solved the problem with Super Glue.


First I washed the inside of the fireplace with Ceramcoat Hippo Gray. This is my weapon of choice for most mortar. I like it dark.




I am doing the lacework in the plaster of the Colonial Kitchen. I thought you might like to take a look.



I built the hearth out of foam core. I won't bother you with photos of the first coat of gesso that I put on the walls and both sides of this. It would be literally like watching paint dry. Just take my word for it.
I will show you, instead, a couple of costumes that I have made. They are a part of a series that I am doing on historic dress. That was one of my fields of interest when I was in college. 
This first one is a walking dress from 1895. It was copied from an illustration from Harper's Bazaar that year.
I made each dress with accessories from the same illustration.
I added a hand drawn sketch of how the clothes would have been worn to the back of the box.
The hat is straw with silk roses.
The parasol is silk.
The second one is from the 1840s. It's a Promenade Dress(fancy name for another walking dress) from 1840.
The interesting thing about this one is that the collar of the dress is actually made of a scrap of fabric, I believe from a nightgown, from 1840! I bought a box of antique lace and fabric.
I was lucky enough to get parts of what was probably a wedding nightgown. It was hand made(before the invention of the sewing machine in 1849) and hand embroidered with the lady's initials and the date. You can see a scan of the embroidery at the bottom, in front of the dress.
This is one of my favorite pieces just because of that scrap of fabric. Someone must have really loved that nightgown to save the pieces for over 150 years.
OK, I have stalled you long enough for today. I am going to go collapse now.
See you tomorrow.

It's one of those room box kits that Miniatures.com sells. I bought two of them years ago. I am sure that I had plans for both of them.....This is as far as I got. The other one is still in the box.
I wanted to make a Colonial kitchen in one. I got the floor done. I guess I got bored, as usual.
Incidentally, this is another way of doing a slate floor. It is done with pieces of textured paper that was called "leather paper" when I bought it at an art supply store here in town. That was about 15 years ago. It came in the brown that you see here, an actual slate color and terracotta. I have horded this paper. I can't find it anywhere. It's heavier than cardstock.
I cut a piece of mat board that was the shape of the floor. I painted it slate gray. I took a piece of the paper and cut a piece out of one corner. I stuck this to the mat board with white glue. I kept cutting pieces of the paper in irregular rectangles and oblongs. Each piece was glued down with a "crack" between. By doing it this way, it assured me that they were all going to fit together. Once in a while I had to trim some edges to make up for the cracks. After I got it all glued down, I used some Prismacolor pencils to shade some of the pieces. Then I ran a stylus down all of the cracks to smooth the edges of the paper and round it. I am hoping that someday someone will point me in the right direction to find more of this paper. I have looked all over the net. No luck. The store went out of business right after I bought it. Just my luck!
Inspiration comes from many places. The inspiration for this kitchen comes from a set of cookbooks that I bought around the bicentennial. The illustrations are like a history of American kitchens from the beginning. These two photos are what I am using for ideas. The kitchen will be much smaller but I want to have the same feeling.
I have gotten as far as taking measurements in the box and deciding how big I want the fireplace.
I then went to my stash of foam core and started cutting. I am ready to start putting together the fireplace wall.
I just discovered that I am out of gesso. There will be a slight pause while I untie the string on my big toe, put on my shoes and go to town to buy some.
Hopefully I can stay on this track for a couple of days and finish what I started a long time ago. I have pretty much all of the things to finish the kitchen. All I need is gesso.
I managed to get untangled from the string. See you tomorrow.
Actually I am making progress. I can now see the whole floor. Notice I didn't say that the floor was clean. I just said I could see it, spots, debris and all. Therefore I will show you a few pretty pictures again.
Unfortunately that leads to collecting more miscellaneous stuff to "help" use it.